em i – l – y —

Dickinson's handwritten manuscript of her poem...

Dickinson’s handwritten manuscript of her poem “Wild Nights – Wild Nights!” (Photo credit: Wikipedia)

“If I read a book and it makes my whole body so cold no fire can warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only way I know it. Is there any other way?”
~ Emily Dickinson

Certainly the above quote does not sound of a voice without knowledge, or knowing, or … a life worth living beyond her open window. Yet, when Emily Dickinson is discussed the dialogue circles round to her “small life”. I question, though, was Dickinson’s life that  much smaller than one’s own?

An article today entertained this small life. As it was read under the canopy of trees while hearing the occasional whirl of a cyclist going by, I could not help but again wonder why this poet carries such a mystique, albeit a rather unflattering one.

“How do we understand the work of a person who chose not to live in the world the way most of us do?”

Posits the author of the Boston Review article regarding Dickinson’s place in the  world – a world that, at the time, was still dominated by the patriarch. A time when society did not oft consider a woman as equal despite those occasional rebels who were trying to pave new roads. Was Dickinson really living that odd of a life for the times? Yes, she was a spinster and did not venture from Amherst, but does that mean that there was some mental hiccup. Frankly, perhaps she was an introvert gone a bit extreme.

Sadly, this post is not going where I wished it to go — too much on the mind, too little time to compose before another bell will chime of morning. Perhaps I was hoping that by vocalizing what swirled around my head this afternoon, there would be an epiphany. As a non-scholar of poetry or criticism, in the end this just ends as a rant. A vocalization against the often dramatic criticism or conjecture about a woman who honored a guilty pleasure – penning her observations, her feelings and her intellectual knowledge with results that place her in our awe. An awe that turns to something else… an inability to just let a person “be”. 

Perhaps writing this did help to cement one thing – the importance of being a “citizen of the world”. Emily was certainly a citizen of the world, for despite her “small life,” she always imagined the possibilities. ~

amor fati

“Amor Fati – “Love Your Fate”, which is in fact your life.” ― Friedrich Nietzsche

(reading Nietzsche for Modern Contemporary rather unsuccessfully – arvo pÄrt channel on pandora streams glass breaking the hours into pieces – thinking in the back of my mind – as if fn’s words came in, floated into the ether to co-mingle with music projected behind me -never to meld but hang somewhere in an unattainable recess)

An ironic thing about reading N – it allowed me to break the spine of his collected works. Uncertain as to the last time anything was actually read from this book, ergo, it was sweet serendipity that an old Van Gogh postcard was wedged within the chapter, one page to be exact, from the assigned reading – below is a picture just in case you don’t believe me. What does it mean…perhaps that this life is on the right page – or this is my fate…

Tiring quickly, though, of reading his ideas on punishment, good and evil and God, I traveled on to our other reading, Baudelaire’s “Paris Spleen”. Curiously, online I read snippets from three different translations – one was filled with beauty – too beautiful for Baudelaire, I think. It made me wonder, do you think that is a risk of translating – mistranslation based on one’s desire for beauty? A bit of the poetry:

1) “My nerves are strung to such a pitch that they can no longer give out anything but shrill and painful vibrations.”

from “Artist’s Confiteor”

2) “A Wag” – “A Wit” – “A Joker” – all titles for the same poem that made me smile at Baudelaire’s humorous take on the French bourgeoisie, a faction that he seems to detest, thou in a book I have of his, he seems rather obsessed with noting of fashion and the airs of society.
[1]

3) “The Double Room” though the site whose translations read too beautiful titled it ” The Twofold Room” which was quite lovely of an idea. The poem made me jot this down upon reading: reminds me why there is no art found on most of these walls – if it were not abstract or a photograph that defines no mood – would it not imprison one in its nature, never allowing the mind to rest, nor the creative beast to roam free…

4) (Je t’aime le gateau! )”The Cake” – it speaks again of how cruelty dines – the haves torture the have-nots – that ever famous line “Qu’ils mangent de la brioche!” No one, however, can ever say if it was the dear lady who lost her head who said it. Many say no for she held no disdain for the poor. JJ Rousseau actually made the line much famous in his “Confessions”. (although this is a book upon my shelf, there is not time to dig for it and its context.. another day).

(it was a day that started with rain and ended in snow. at one point, needing to escape the confines of these walls, these words, these courses that feed the mind but deplete creativity – z & i took a stroll between heavy white lines- this is what did not melt)

How she shows us her power
first in her icy barbs
then heavy sheets of white, cascading down
we all unite beneath her wet
residue. Shouldn’t we slow the fuck down
under such beauty, such duress? Disregard
the siren wailing, blurring our distance.
No one stops their pace anymore
we can race fate, we can fake it
God – we are still incomplete in our consumption.
We sleep under her blanket dreaming of Sunday’s penance.
Observing a field filled with geese
does anyone else see their dozens of beaks
an optical illusion in stalks knee-high
camouflaging existence, their fat bodies. How
we feed only on easy lines and pink words.
Sweating, walking zombies of manufactured landscapes
no naked eye sees it better than we who walk blindly.
Thin skin burns under her cold stare
no where can we escape her reign. Gone
hollow, a rotted stump reveals a secret inside
Someday this (pointing in) will look the same. ~
(chasing fate)

yellow house
[1] started to watch “Bill Cunningham New York” documentary which curiously came to mind for he speaks of the evil of money and art.

~=~~==~~~====~~~ ÎĮÏ ======~===:::::::. .

Thinking back on Kant’s text, I wonder whether we may not envisage modernity rather as an attitude than as a period of history. And by “attitude,” I mean a mode of relating to contemporary reality; a voluntary choice made by certain people; in the end, a way of thinking and feeling; a way, too, of acting and behaving that at one and the same time marks a relation of belonging and presents itself as a task. (Michel Foucault, “What Is Enlightenment”)

****************************************************************************************************

how do we relate to contemporary reality – what is contemporary reality – do you see what i see – do you hear what i hear

i hear nothing but jazz – no, f-stop – it stopped in light of the scrim of cat gut that got stuck in that wishbone she chucked – what was that cat thinking spewing like that – did she lose all her mittens to get so bent?

went downtown, meant to go uptown, but there is no down tempo on the metro so we all swoon to her beat which rolls us right-side  damn city was built facing east and the roads buckle under her white powder turning to gel until it is a frozen heap.

did you get that swat team memo sent from base camp, otherwise know as home – cc to clergy, mother and your honey – what the hell, you threw the first snowball – not- a -fools- chance- in your hell -that THAT primal scream excused as thoracic release cleared your blue chakra – try some herbal tea, or something strong, you gonna need to loosen that tongue, you must have swallowed it after agreeing to his fifth and a rock glass made for two; we all have our limits on solitude – desperation paints silver lines over black raindrops that fall from your painted eyes. 

i heard her sing ‘someday, when you’re feeling low (da ta da ta da) know someone loves you    - but only in a song.

(Do not ask – I shall not tell – just a forward, backward, thinking stream dedicated to understanding reality for I truly believe that some do not live in this reality, but their reality — to that end, do we really have a society if no one can agree what is real? Perhaps Rousseau had it right – reflection is man’s worse enemy.)

one final whisper from her coven of trees under a moonlit stream gone frozen dreaming of summer wisteria drinking deeply from her rooted crown-  ”watch for beasts that feed on souls reflecting on empty words drowning in hate” ~ 

what say you…

Stephen Hawking posits that philosophy is dead -
A recent WP writer posits poetry is dead -

So, dear reader, i (yes, a small i for i do not claim to know) posit to you -
are they dead?

If yes, what was the cause of death, discuss ~

kind of blue ~

Delving into a dream seems to destroy the magic, as if you conjure up the image, the soliloquy, even if voiceless, will vanquish  whatever minor thread sewn to keep the quilt’s pattern together. There is an image that forms, a bubble that appears floating out of nowhere and you want to watch it reflect the beauty of the sun, it is pink – blue- gold swirling within a circumference; if you are too close, your body’s energy may propel it, stop it and it shall burst when it hits a real object – a reminder that nothing, nothing lasts forever in this world; only in dreams do things last longer than infinity. 

What is this, this masquerade she is posing you might say. Not even she can say for there is a block that keeps forming when the words start forming. I reach for a paper,a pen, and they just float then sink, lyrical snowflakes become glitter on the white curves of Stevens’s snow man, never to form, never to converge. It perhaps is like a lost thought…if you cannot remember, it really was not worth saying.

That said, I did write down two poems this evening and shall post one before going, as it is perhaps inspired a bit by the New Year, but not really for it was formed while thinking about jazz, old jazz and how I wish I had lived during the 20s or 40s in the City, above a club where great horns blew the lights out whilst someone somewhere wore a gardenia after taking off her feathers. They spoke of important art and of hell, the French Surreal, – how the ending wars must paint it real, paint it black to uncover the memories, to highlight the paint…to never forget what this is all about…

A horn blows sloppy (no, not sloppy, not really) 

but long – -
a ribbon that lounges

finest of silk material, it slides across
the hollowed curve just so. That is this
this cool horn blowing (see how it shines)
against a moon hollering to her night-
Let’s light things up high into 
this sky, no matter those deaf winds
blow me a river til we float.
Blue note rising, it is every thing
when ladies don their ermines, scatting
no words blowing their dreams to life.
What is this playing, a hazy daze
it rolls down this springtime lane 
we follow her painted street signs all 
night, this city is made of sharp notes.
Dip your glass in champagne, sip that silken
Stoli until tight. We will dream
we will float -
Miles, blow one more note until the sun
rise. It was always those years,
bitter years, we walked this precipice barefoot
baring our soles on the cold earth gone white;
we all followed suit and cooled listening for
One last blues blow before that door
closed down on this note. 

 

 

 

 

::..:.:snow::..:.: bank..::.:

12.19.12

a stillness invokes a maudlin air that recalls childhood dreams of christmas eve spires sprinkled in holy waters & thick frankincense that settled deep into innocence’s eyes causing a tear to arc across a ghost cheek as stale choirs sang silent night. tonight purity shines from rooftop to uncleared sidewalk, an ephemeral brightness highlighted by thunderclaps and blue-silver flash, it is a scene saturated in december romance as north winds stir bowing cedars upright. our tiny vigil lasts past midnight hoping for epiphany, but as each tree waivers under blank weight we wait and wait — amen – but nothing appears from within just a flicker remains dancing amongst wax ruins; blowing out this light but a light remains brighter than the blues inside our comfort zone gathering milk sap from a ten-year-old weeping tree; throw open your sash let this blizzard bless us until a dream finally comes to fill tomorrow’s day – and if it never comes, do not salt our walk remembering a waiting diary for nothing is forever whilst living on this side of a snow bank ~

when we dream — when we do not -

the poet thinks every word befits this page – this is not what we learn in advanced physics mimicry, how she goes on and on and on…
that last dream, and we were not even invited in.
come in! shut the door quickly, it is a cold winter day.

One of the books I’m reading is Midwinter Day by Bernadette Mayer. It is an epic poem; it documents Mayer’s life for one day in December (right around the solstice) from dream to waking to dream. The above is a condensed blab of frustration after turning the page of the first dream sequence, thinking with disdain, “why do we publish these things?” Mayer’s writing is brilliant, but it is a dip into the personal that seems to never ask for an audience. The reader is passive wondering when the swan song is over… or, it may just be me.

You must laugh, for this comes from the guilty, the guilty of spewing personal blab against this digital page. Some will read, most will gloss over the contents and ‘like’ just to be nice. I do not blame, I never blame for it IS tiresome. Why, then, do I commit this confessional sin — YHC allows me as editor of all its rights.

Don’t you some days just wish to delve into the awful, horrible ways that our mind bends. Right now, listening to Anais Mitchell, there is a part that just wishes to float away on an acoustic guitar string and let the words weep, cut a scar so deep that nothing can return, nothing can mend until the silver board goes down and these blue eyes see nothing but dark until the sun of a midwinter day rises again.

But, who am i – who am i, she cries.

I digress…getting lost in Anais lyrics, her voice pulls you in with its gentleness.

Readying for a brief walk under an exploding edge of unstable sky — venture out while she scavenges each sidewalk path searching for a kin’s scent — does she know it is past midnight and we should be in bed. The games we play when we pretend to live a different life, no longer a worker of books for a few days but a lady who sorts her fruit slowly and inquires after another’s health. Tomorrow we shall venture together to fight like blood because we never have been a quiet family. Is this what life has become as age turns her hourglass before me four times still. They take pity on their young maiden turned maid – we just worry that her demon shall return with the stars, do not look up or you may just tumble into a Universe that offers no return pass home. This is when it would be good to believe in the shepherd and the lamb.

12.12.12

monumental – a day to document, not for what is eternal, but for what has risen before us, begs us to raise our eyes beyond a pink sky that shall host a comet’s wing and pardon gestures of who hates our inability to forget a travesty painting this world a shade of red whilst pretending it is light-white, who dominates our pressed page today lays out the world’s transgressions in white when it is the calm of blood read – do we offer no refuge anymore for the bird that flies southward to warm when there is no warmth in a closed hand hiding its seeds to some of humanity. Did death walk over this grave this morning whilst looking for a frozen patch, but it was rising in a fog caught in a gale of grey wind, something played along its edge, a smell of cinnamon and we thought it was a child’s stone with its rock and offering in that candle flame, we can only guess who shall say prayer for the forgotten. No one is forgotten if the verse is left open. Didn’t we untie those pages together letting the vowels sing long whilst screams averted to barren wasteland. Wandering this leaf strewn path one of us now walks, toying with one tiny red string left dangling, remembering, a bond despite that hate dipped in white – She must be your true love and i, must find that empty bowl to gather what is left of our history – we paint tomorrow in invisible ink. Seek refuge, this window shall continue to not don a screen ~

december

The rain fell soft upon our backs
We walked in step
And a shadow never left until we turned
Northward. It was the north drops
Mixed with Dexter Gordon’s horn
Twinkling; every house a private menagerie
And it was a hole we entered in.
Where are you now
Beyond this cold humanity
Do you remember the life
She wanders.

The lights; the lights worry
A candle flame burning brightly
Somewhere for you;
And we shall not speak of Wilbur
And we shall not speak of Jesus
We will pretend that it works out
And if we do not speak, we only
Hear that silence -
Do you wonder why,
This calling always in December.
Winter floods white canvas
And the paints move, disorder us
Together. You are needed as
Pure reflection, as witness.

Today a maple leaf stuck
Patterning the floor black. A rosary
Buried in box he gave her
Finally lost. We embrace
December it grows quiet now.
You would like this new silence
All these footsteps sound, no
Faith converging.

the other

I’m cheating a bit (will not do this often) but am linking to the other blog to highlight a bit about what I have been doing with my time, post-ModPo and creatively ~

 

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